What would you ask a curator?
So waddaya wanna know—what have you always wanted to ask a curator?
“What’s your most valuable artifact?” “What’s the smallest piece in your collection?” At the very least, many people out there might like to know just what it is that a curator does. Well, that’s a tricky one: they do as many different things as there are museums, so best to ask one yourself.
And your chance to do just that was September 12. That’s the day the annual Twitter event #AskACurator Day took place on computers, tablets and mobile phones all over around the world.
And it really was all around the globe, with more than 1,500 museums from some 50 countries taking part. Canada alone had more than 160 participating museums. We enthusiastically jumped in, with Curator David Bergeron standing by to answer queries. Chief Curator Paul Berry also provided a few answers throughout the day.
This year was quite a success. We got conversations going with curators at the Royal British Columbia Museum, the Canada Science and Technology Museum, the Smithsonian National Museum of American History and the Royal Ontario Museum.
Kicking things off for us was a query from the Bank of England Museum about what our biggest artifact is. Well, that’s easy! That would be our 2-metre-tall, 1,800-kilogram Yap stone from the Micronesian island of the same name. It’s our gatekeeper, standing high up over our reception area.
We put out our own general query, asking about money and art:
#AskACurator : Any museums out there have artworks featuring currency, or made of currency? 💰🖼️
— Bank of Canada Museum (@BoCMuseum) September 12, 2018
Does artwork featured on currency count? The Hall of Honour in #CentreBlock, was used as inspiration for the new 10$ bill! #AskACurator pic.twitter.com/MHDhVzvpEG
— House of Commons (@OurCommons) September 12, 2018
I hope this piece from @britishmuseum counts! A beautiful #gold and #garnet #AngloSaxon pendant set with a #solidus coin. It was found in Wilton, #Norfolk in eastern England, and dates to the early seventh century. #AskACurator pic.twitter.com/eRNeQsnw4I
— Sue Brunning (@SueBrunningBM) September 12, 2018
We've got origami pieces made from dollar bills in our collection @amhistorymuseum #artfrommoney pic.twitter.com/MNURuNLdVv
— Hillery York (@yorkh44) September 12, 2018
We had nine museums contribute to that conversation, one of which joined the conversation from Mumbai, India. Also participating was the Canada Science and Technology Museum whom we later engaged with, sharing experiences about recently renovating our museums. Lessons learned by the CSTM: “Always leave money in the remedial budget…” Agreed!
Tweets went off on all sorts of tangents. A homesick Swede working abroad asked to see anything Swedish in our collection. The Smithsonian folks discovered we have more than 4,000 US coins in our collection, and we learned that they have 1,000 of ours! Yap stones, salt and a 10-metre-long coiled strip of fabric made from bird feathers came into that conversation. Field trips to Washington and Ottawa were proposed. One fellow asked the curators if they’ve ever tried to impress a date with their collection. [Our] David Bergeron did: “I once brought a date to our museum to show her how much money I had to manage!” That got a few likes.
Journalist and author Jack El-Hai tweeted:
Which items in your collections tell a jaw-dropping tale that too few people know about? #askacurator
— Jack El-Hai (@Jack_ElHai) September 12, 2018
From our curator David Bergeron: "Here's a counterfeit note from Edwin Johnson of Toronto. His entire family was involved in counterfeiting. In 1880, he was caught passing his own notes in a tavern. Check out the story in 'Memoirs of a Great Detective'!" #AskACurator pic.twitter.com/T5mwKs3l1q
— Bank of Canada Museum (@BoCMuseum) September 12, 2018
That banknote looks convincing to me! Thank you for the story, and I'll look up Murray's book.
— Jack El-Hai (@Jack_ElHai) September 12, 2018
Nobody said it was all going to be about sophisticated museology, but the layers of comment and the unexpected directions the #AskACurator Day tweets took proved how valuable it is for museums to talk with one another, to trade war stories and successes, and to build networks. Can’t wait for next year!
And by the way, the smallest item in our collection is…dust.
Gold dust, that is.
The Museum Blog
CENTimental Journey
By: Graham Iddon
With all the blogging we’ve been doing for Voices from the Engraver, you’d think we had nothing else on our exhibition plate. We do, actually, and it’s called CENTimental Journey. This temporary exhibition, hosted at the Canadian Museum of History, walks you through more than 150 years of the Canadian 1 cent piece.
Museum Reconstruction - Part 2
By: Graham Iddon
We are coming up on a year since we closed the doors on the physical museum. During that year, we’ve worked very hard to make sure everybody knows that we are still a functioning museum and one that will be opening its doors again in a few years on a beautiful new space, with an expanded mission and mandate.
Becoming a Collector III
By: Graham Iddon
For you as the steward of your collection, your aim is to preserve the items as best as you can by protecting them from further deterioration. The pros call this preservation.
The Adventure of Exhibit Planning IV
By: Graham Iddon
This exhibition is about engravers, production processes and the beauty of postage stamps and bank notes. In the previous episode of this series we talked about the process surrounding securing the bank notes for this exhibition and how it had to take into account both the needs of the exhibition team and the concerns of the collections department.
Becoming a Collector II
By: Graham Iddon
So now you’ve decided that collecting currency is far more fascinating than collecting 14th Century Flemish altar paintings and have begun to accumulate some items. Good for you, those paintings are a bother to dust and currency is far easier to take care of.
Becoming a Collector I
By: Graham Iddon
Collecting things is a very common human urge. Be they matchbooks, pop bottles or 17th century Flemish altar paintings, owning large numbers of the same type of thing is a fascinating pastime for many of us.
The Adventure of Exhibit Planning III
By: Graham Iddon
During the planning stages stamping the word ‘final’ on any given aspect of a travelling exhibition can seem less of a directive and more of an overly optimistic suggestion.
Notes from the Collection: Recent Acquisitions II
By: Paul S. Berry
This month’s selections highlight various areas of Collection development. These include what are called financial instruments: items such as stocks, bonds shares and other articles that represent a contract to deliver money in some manner.