What would you ask a curator?
So waddaya wanna know—what have you always wanted to ask a curator?
“What’s your most valuable artifact?” “What’s the smallest piece in your collection?” At the very least, many people out there might like to know just what it is that a curator does. Well, that’s a tricky one: they do as many different things as there are museums, so best to ask one yourself.
And your chance to do just that was September 12. That’s the day the annual Twitter event #AskACurator Day took place on computers, tablets and mobile phones all over around the world.
And it really was all around the globe, with more than 1,500 museums from some 50 countries taking part. Canada alone had more than 160 participating museums. We enthusiastically jumped in, with Curator David Bergeron standing by to answer queries. Chief Curator Paul Berry also provided a few answers throughout the day.
This year was quite a success. We got conversations going with curators at the Royal British Columbia Museum, the Canada Science and Technology Museum, the Smithsonian National Museum of American History and the Royal Ontario Museum.
Kicking things off for us was a query from the Bank of England Museum about what our biggest artifact is. Well, that’s easy! That would be our 2-metre-tall, 1,800-kilogram Yap stone from the Micronesian island of the same name. It’s our gatekeeper, standing high up over our reception area.
We put out our own general query, asking about money and art:
#AskACurator : Any museums out there have artworks featuring currency, or made of currency? 💰🖼️
— Bank of Canada Museum (@BoCMuseum) September 12, 2018
Does artwork featured on currency count? The Hall of Honour in #CentreBlock, was used as inspiration for the new 10$ bill! #AskACurator pic.twitter.com/MHDhVzvpEG
— House of Commons (@OurCommons) September 12, 2018
I hope this piece from @britishmuseum counts! A beautiful #gold and #garnet #AngloSaxon pendant set with a #solidus coin. It was found in Wilton, #Norfolk in eastern England, and dates to the early seventh century. #AskACurator pic.twitter.com/eRNeQsnw4I
— Sue Brunning (@SueBrunningBM) September 12, 2018
We've got origami pieces made from dollar bills in our collection @amhistorymuseum #artfrommoney pic.twitter.com/MNURuNLdVv
— Hillery York (@yorkh44) September 12, 2018
We had nine museums contribute to that conversation, one of which joined the conversation from Mumbai, India. Also participating was the Canada Science and Technology Museum whom we later engaged with, sharing experiences about recently renovating our museums. Lessons learned by the CSTM: “Always leave money in the remedial budget…” Agreed!
Tweets went off on all sorts of tangents. A homesick Swede working abroad asked to see anything Swedish in our collection. The Smithsonian folks discovered we have more than 4,000 US coins in our collection, and we learned that they have 1,000 of ours! Yap stones, salt and a 10-metre-long coiled strip of fabric made from bird feathers came into that conversation. Field trips to Washington and Ottawa were proposed. One fellow asked the curators if they’ve ever tried to impress a date with their collection. [Our] David Bergeron did: “I once brought a date to our museum to show her how much money I had to manage!” That got a few likes.
Journalist and author Jack El-Hai tweeted:
Which items in your collections tell a jaw-dropping tale that too few people know about? #askacurator
— Jack El-Hai (@Jack_ElHai) September 12, 2018
From our curator David Bergeron: "Here's a counterfeit note from Edwin Johnson of Toronto. His entire family was involved in counterfeiting. In 1880, he was caught passing his own notes in a tavern. Check out the story in 'Memoirs of a Great Detective'!" #AskACurator pic.twitter.com/T5mwKs3l1q
— Bank of Canada Museum (@BoCMuseum) September 12, 2018
That banknote looks convincing to me! Thank you for the story, and I'll look up Murray's book.
— Jack El-Hai (@Jack_ElHai) September 12, 2018
Nobody said it was all going to be about sophisticated museology, but the layers of comment and the unexpected directions the #AskACurator Day tweets took proved how valuable it is for museums to talk with one another, to trade war stories and successes, and to build networks. Can’t wait for next year!
And by the way, the smallest item in our collection is…dust.
Gold dust, that is.
The Museum Blog
New Acquisitions
By: Raewyn Passmore
The recent additions to the National Currency Collection described below are from very different parts of the world and are between 1500 and 2500 years old.
The Big Nickel
By: Paul S. Berry
The commemorative 1951 5 cent piece was issued to mark the 200th anniversary of the naming of nickel and its isolation as an element. Recently, I had the great pleasure to participate in the Big Nickel anniversary festivities and give a talk about the design competition for the 1951 5 cent coin.
The Adventure of Exhibit Planning VI
By: Graham Iddon
This is not the time for ‘nay sayers’. Basically, we planned a luxury car knowing that when all was said and done, it was going to be a very nice family sedan (maybe with the big engine?).
The Adventure of Exhibit Planning V
By: Graham Iddon
Now the writer takes a deep breath and attempts to take a subject like the ‘representation of 75 years of national identity as depicted on stamps and bank notes’ from 50 pages of research and squash it into 65 words.
The Senior Deputy Governor’s Signature
By: Graham Iddon
For much of their history, Canadian bank notes have represented a promise, a guarantee that they could be redeemed for “specie” (gold and silver coins) at their parent institution.
Becoming a Collector V
By: Graham Iddon
Suppose you walk into a bar frequented by currency collectors and in an attempt to join in you refer to a ‘planchette’ as a ‘rosette’ (beer mugs hit the tables and the pianist stops playing). This could be pretty humiliating and you’ll probably never be able to go to that bar again, at least not on numismatic night.
Becoming a Collector IV
By: Graham Iddon
Now that you have a grasp of preservation techniques for coins, you might want to familiarize yourself with the finer points of their anatomy. It is all part of your numismatic education and besides, you need to be informed and sound informed when you are buying coins at flea markets or coin fairs.
Museum Reconstruction - Part 3
By: Graham Iddon
Though naturally we are aware that the former Museum space is being gutted, the reality of seeing it empty is still pretty strange for most of us here. In the last blog of this series we showed you the empty cafeteria space that will become the new Museum, as well as some images of the old Museum as it was at the time: stuffed with odds and ends of exhibit cases, the occasional display still on the walls.