Our Chief Curator leaves a job well done
By Chris Faulkner
This week, our Chief Curator Paul S. Berry retired from heading up the National Currency Collection (NCC), Canada’s most significant currency collection. Paul has worked tirelessly and with great passion for the last 35 years to maintain and grow the NCC even putting in a few years in the Bank’s Currency Department. We asked Chris Faulkner, Chair of the NCC’s Acquisitions Advisory Committee, to speak about Paul and his career. Dr. Faulkner is a film studies professor and researcher at Carleton University and has known Paul longer than any of us.
I can’t remember when I first met Paul, but it must have been shortly after his arrival in 1984. It seems like yesterday… No, it doesn’t, actually. It was a long time ago, and we both had more hair then! Well, he did anyway. A lot has changed over the years besides our physical appearance.
What with the usual pressures of work and family, I was no more than a very occasional visitor to the National Currency Collection in the ’80s and ’90s when the collection offices were at ground level and the Museum entrance was on Wellington Street. I only got to know Paul better into the new millennium, and especially after he became Chief Curator, when my visits for the purposes of research became more regular.
What Paul was able to accomplish is amazing and represents a terrific legacy. The move from street level to much more expansive quarters (albeit below ground!), the creation of a proper suite of offices, space for an ever growing library (easily the best of its kind in Canada), proper storage vaults for an extraordinary collection of numismatic material (again, easily the best of its kind in Canada), state-of-the-art conservation facilities, a photography studio—all of this was accomplished under Paul’s tutelage and represents an unparalleled resource for research and support for the Bank of Canada Museum. He has been a great steward of the collection and as a result a tremendous asset to the Bank.
Paul laid out a rational acquisitions policy for the numismatic collection and continued to ensure the growth of the library. When he decided to reach out to the numismatic community by forming an Acquisitions Advisory Committee in 2007, I willingly accepted the invitation to sit as its chair because of my respect for Paul and because of my belief in the national—even international—importance of the collection. Paul has been transparent with the committee as far as collection policy and practice are concerned and has always accepted the committee’s two cents’ worth with grace and equanimity.
What has impressed me, both as the Chair of the Acquisitions Advisory Committee and as a frequent research visitor, is not only Paul’s evident administrative capabilities but also his breadth of knowledge about the history of currency and banking. Such knowledge is not easily won. Paul is blessed with an historical sensibility, organizational skills and an attention to detail. These are the prerequisites for a first-rate numismatist. More than once he and I have looked at the same artifact and Paul has been able to see things I haven’t! Furthermore, I don’t think we’ve ever had a dull conversation on a topic of numismatic interest, and we’ve had a lot of conversations over the years.
Now that he’s retiring he won’t get his hair back, but it’s not too late to put all that accumulated knowledge on paper and enlighten us with what he’s learned.
Thank you, Chris. Please join all of us here at the Museum, and at the Bank, in offering Paul the fondest best wishes for this new chapter of his life.
Thanks, Paul, we’ll miss you!
The Museum Blog
The Adventure of Exhibit Planning VIII
By: Graham Iddon
On this trip, we were all excited to see the 8-foot-tall wooden panels with the full copy printed directly onto them. Using a new process, staff of the exhibition fabrication department at the Sherbrooke Nature and Science Museum have produced some very impressive results.
The Adventure of Exhibit Planning VII
An exhibition fabrication company was finally selected by the Museum to produce the upcoming “Voices from the Engraver” travelling exhibition. It’s all very exciting.
New Acquisitions
By: Raewyn Passmore
The recent additions to the National Currency Collection described below are from very different parts of the world and are between 1500 and 2500 years old.
The Big Nickel
By: Paul S. Berry
The commemorative 1951 5 cent piece was issued to mark the 200th anniversary of the naming of nickel and its isolation as an element. Recently, I had the great pleasure to participate in the Big Nickel anniversary festivities and give a talk about the design competition for the 1951 5 cent coin.
The Adventure of Exhibit Planning VI
By: Graham Iddon
This is not the time for ‘nay sayers’. Basically, we planned a luxury car knowing that when all was said and done, it was going to be a very nice family sedan (maybe with the big engine?).
The Adventure of Exhibit Planning V
By: Graham Iddon
Now the writer takes a deep breath and attempts to take a subject like the ‘representation of 75 years of national identity as depicted on stamps and bank notes’ from 50 pages of research and squash it into 65 words.
The Senior Deputy Governor’s Signature
By: Graham Iddon
For much of their history, Canadian bank notes have represented a promise, a guarantee that they could be redeemed for “specie” (gold and silver coins) at their parent institution.