Unveiling the Bank of Canada Museum to the World
Well, to a chunk of it anyway. Every year the conference of the International Federation of Finance Museums (IFFM) draws museum directors from five continents to a get-together aimed at sharing best-practices and keeping up with the latest trends in the world of financial museums. Many of the delegates had been following our progress at the Bank of Canada Museum over the past four years, and there was a level of anticipation this year, because they knew I was going to talk to them about our opening and our experience to date.
This year was the Bank’s first opportunity to attend the conference with a museum in fully-operational mode back home, something which gave me the opportunity to step onto the stage as a featured speaker, offering the Bank’s perspective on what our teams accomplished. The presentation was met with enthusiastic interest.
From Paris to Mexico City; Museum Directors Need to Know
Philippe Gineste, Director of CitéCo (Cité de l’Économie et de la Monnaie) in Paris, set to open in 2019, took me aside early on to ask me about the pitfalls and opportunities the Bank of Canada had faced putting together our Museum. His interest was more than passing; his team at CitéCo is gearing up for a full year of trying to get all the myriad things they need done, done. He was happy to know we would offer the benefit of our experience whenever he wanted.
Philip List, Director of the host museum Erste Financial Life Park in Vienna, was happy to compare notes, given that he had just completed a similar museum earlier this year.
Silvia Singer, CEO of the Museo Interactivo de Economía in Mexico City, one of the early inspirations for the new Bank of Canada Museum, told me enthusiastically that she was planning to get to Ottawa as soon as possible to see for herself.
A Conference About Museums’ Place in Economic and Financial Literacy
For the past four years now, the Bank of Canada Museum has been a member of the IFFM, an organization promoting the work of financial and central bank museums from North, Central and South America, Europe, Asia and Africa. The October conference featured numerous presentations and workshops covering different aspects of the members’ work, as well as some lively debates on the state of financial and economic literacy in the world.
The Museum Blog
The Adventure of Exhibit Planning VIII
By: Graham Iddon
On this trip, we were all excited to see the 8-foot-tall wooden panels with the full copy printed directly onto them. Using a new process, staff of the exhibition fabrication department at the Sherbrooke Nature and Science Museum have produced some very impressive results.
The Adventure of Exhibit Planning VII
An exhibition fabrication company was finally selected by the Museum to produce the upcoming “Voices from the Engraver” travelling exhibition. It’s all very exciting.
New Acquisitions
By: Raewyn Passmore
The recent additions to the National Currency Collection described below are from very different parts of the world and are between 1500 and 2500 years old.
The Big Nickel
By: Paul S. Berry
The commemorative 1951 5 cent piece was issued to mark the 200th anniversary of the naming of nickel and its isolation as an element. Recently, I had the great pleasure to participate in the Big Nickel anniversary festivities and give a talk about the design competition for the 1951 5 cent coin.
The Adventure of Exhibit Planning VI
By: Graham Iddon
This is not the time for ‘nay sayers’. Basically, we planned a luxury car knowing that when all was said and done, it was going to be a very nice family sedan (maybe with the big engine?).
The Adventure of Exhibit Planning V
By: Graham Iddon
Now the writer takes a deep breath and attempts to take a subject like the ‘representation of 75 years of national identity as depicted on stamps and bank notes’ from 50 pages of research and squash it into 65 words.
The Senior Deputy Governor’s Signature
By: Graham Iddon
For much of their history, Canadian bank notes have represented a promise, a guarantee that they could be redeemed for “specie” (gold and silver coins) at their parent institution.
Becoming a Collector V
By: Graham Iddon
Suppose you walk into a bar frequented by currency collectors and in an attempt to join in you refer to a ‘planchette’ as a ‘rosette’ (beer mugs hit the tables and the pianist stops playing). This could be pretty humiliating and you’ll probably never be able to go to that bar again, at least not on numismatic night.
Becoming a Collector IV
By: Graham Iddon
Now that you have a grasp of preservation techniques for coins, you might want to familiarize yourself with the finer points of their anatomy. It is all part of your numismatic education and besides, you need to be informed and sound informed when you are buying coins at flea markets or coin fairs.