Unveiling the Bank of Canada Museum to the World
Well, to a chunk of it anyway. Every year the conference of the International Federation of Finance Museums (IFFM) draws museum directors from five continents to a get-together aimed at sharing best-practices and keeping up with the latest trends in the world of financial museums. Many of the delegates had been following our progress at the Bank of Canada Museum over the past four years, and there was a level of anticipation this year, because they knew I was going to talk to them about our opening and our experience to date.
This year was the Bank’s first opportunity to attend the conference with a museum in fully-operational mode back home, something which gave me the opportunity to step onto the stage as a featured speaker, offering the Bank’s perspective on what our teams accomplished. The presentation was met with enthusiastic interest.
From Paris to Mexico City; Museum Directors Need to Know
Philippe Gineste, Director of CitéCo (Cité de l’Économie et de la Monnaie) in Paris, set to open in 2019, took me aside early on to ask me about the pitfalls and opportunities the Bank of Canada had faced putting together our Museum. His interest was more than passing; his team at CitéCo is gearing up for a full year of trying to get all the myriad things they need done, done. He was happy to know we would offer the benefit of our experience whenever he wanted.
Philip List, Director of the host museum Erste Financial Life Park in Vienna, was happy to compare notes, given that he had just completed a similar museum earlier this year.
Silvia Singer, CEO of the Museo Interactivo de Economía in Mexico City, one of the early inspirations for the new Bank of Canada Museum, told me enthusiastically that she was planning to get to Ottawa as soon as possible to see for herself.
A Conference About Museums’ Place in Economic and Financial Literacy
For the past four years now, the Bank of Canada Museum has been a member of the IFFM, an organization promoting the work of financial and central bank museums from North, Central and South America, Europe, Asia and Africa. The October conference featured numerous presentations and workshops covering different aspects of the members’ work, as well as some lively debates on the state of financial and economic literacy in the world.
The Museum Blog
New Acquisitions
By: Paul S. Berry
Although never released for circulation, these two pieces were part of the first official initiative to mint coins in Canada.
150 Years Since Confederation
By: Graham Iddon
Canada’s cultural and regional diversity is a key part of our nation’s identity. However, it’s an enormous challenge to represent such concepts on a 7 by 15 centimetre piece of polymer.
Museum Reconstruction – Part 7
By: Graham Iddon
It’s a very flexible design and right now our graphics team is busy adapting it to a dozen different uses and formats.
Unpacking the Collection 5
By: David Bergeron
In the middle of the 19th century, a French lawyer and adventurer named d’Antoine de Tounens became fascinated by the Mapuche people of the Patagonia region of South America. At the time, they were struggling to protect their ancestral lands, their identity and their culture from colonial expansion by the governments of Chile and Argentina.
Museum Reconstruction - Part 6
By: Graham Iddon
So how’s the Bank of Canada Museum progressing? Everything seems to be ticking along just fine, thanks.
Unpacking the Collection 4
By: Paul S. Berry
Often referred to as “bookmark money” because of their narrow, vertical format, Japanese hansatsu were among the world’s most distinctive currencies.
Is That Blitzen on Our Quarter?
By: Graham Iddon
Well into my adulthood, I had assumed that the noble beast gracing the reverse side of our quarters was a moose. Clearly, I was not a terribly observant coin collector.
A Bank NOTE-able Woman III
By: Graham Iddon
Desmond truly exemplifies a Canadian who has overcome barriers, is inspirational to others, has made a positive change to society and in so doing, left a lasting legacy.
Why We are Not the Currency Museum
By: Graham Iddon
But a few years before it closed, the Currency Museum officially became an arm of the Communications Department. And this was the crucial factor that would change the future mission of the Museum.