Coin designs of Emanuel Hahn
Emanuel Hahn was a celebrated Canadian sculptor whose work can be seen in the monuments of many Canadian cities. Born in Germany in 1881, Hahn immigrated to Canada with his family at the age of 7. Along with medals and a number of significant war memorials, Hahn designed some of Canada’s most distinctive and iconic coins. The voyageur silver dollar, the Bluenose dime, the caribou 25 cent piece and the 1939 silver dollar commemorating the Royal Visit of King George VI and Queen Elizabeth were all Hahn designs.
In 1934 the Department of Finance invited Emanuel Hahn to submit a design for a silver dollar commemorating the silver jubilee of the reign of King George V. Hahn corresponded with the Royal Mint in London and the Royal Canadian Mint to gain insight into the process of minting a coin before submitting a drawing depicting a voyageur and a First Nations man paddling a canoe. To ensure accuracy, Hahn studied the designs of traditional canoes and the paintings of Frances Anne Hopkins. Hahn’s design was approved with only a few minor changes and was used as the standard pattern for the Canadian silver dollar until the introduction of the ‘Loonie’ in 1987.
Following the success of the voyageur silver dollar, Hahn was among several artists invited to submit designs for new Canadian coinage to be released in conjunction with the accession of King George VI, in 1937. Hahn produced no less than 16 sketches. His caribou (proposed for both the nickel and the quarter) and his Bluenose were both selected for the new coins. All of the designs put into circulation in 1937 are still to be found on Canada’s circulating coinage today. Hahn left an impressive mark on Canadian currency and all Canadians can be proud to have a ‘Hahn original’ in their pockets.
Emanuel Hahn’s legacy of coins, drawings, plaster models and correspondence is preserved in the National Currency Collection of the Bank of Canada.
The Museum Blog
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The Adventure of Exhibit Planning V
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Now the writer takes a deep breath and attempts to take a subject like the ‘representation of 75 years of national identity as depicted on stamps and bank notes’ from 50 pages of research and squash it into 65 words.
The Senior Deputy Governor’s Signature
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Becoming a Collector V
By: Graham Iddon
Suppose you walk into a bar frequented by currency collectors and in an attempt to join in you refer to a ‘planchette’ as a ‘rosette’ (beer mugs hit the tables and the pianist stops playing). This could be pretty humiliating and you’ll probably never be able to go to that bar again, at least not on numismatic night.
Becoming a Collector IV
By: Graham Iddon
Now that you have a grasp of preservation techniques for coins, you might want to familiarize yourself with the finer points of their anatomy. It is all part of your numismatic education and besides, you need to be informed and sound informed when you are buying coins at flea markets or coin fairs.
Museum Reconstruction - Part 3
By: Graham Iddon
Though naturally we are aware that the former Museum space is being gutted, the reality of seeing it empty is still pretty strange for most of us here. In the last blog of this series we showed you the empty cafeteria space that will become the new Museum, as well as some images of the old Museum as it was at the time: stuffed with odds and ends of exhibit cases, the occasional display still on the walls.
CENTimental Journey
By: Graham Iddon
With all the blogging we’ve been doing for Voices from the Engraver, you’d think we had nothing else on our exhibition plate. We do, actually, and it’s called CENTimental Journey. This temporary exhibition, hosted at the Canadian Museum of History, walks you through more than 150 years of the Canadian 1 cent piece.
Museum Reconstruction - Part 2
By: Graham Iddon
We are coming up on a year since we closed the doors on the physical museum. During that year, we’ve worked very hard to make sure everybody knows that we are still a functioning museum and one that will be opening its doors again in a few years on a beautiful new space, with an expanded mission and mandate.
Becoming a Collector III
By: Graham Iddon
For you as the steward of your collection, your aim is to preserve the items as best as you can by protecting them from further deterioration. The pros call this preservation.
The Adventure of Exhibit Planning IV
By: Graham Iddon
This exhibition is about engravers, production processes and the beauty of postage stamps and bank notes. In the previous episode of this series we talked about the process surrounding securing the bank notes for this exhibition and how it had to take into account both the needs of the exhibition team and the concerns of the collections department.