Coin designs of Emanuel Hahn
Emanuel Hahn was a celebrated Canadian sculptor whose work can be seen in the monuments of many Canadian cities. Born in Germany in 1881, Hahn immigrated to Canada with his family at the age of 7. Along with medals and a number of significant war memorials, Hahn designed some of Canada’s most distinctive and iconic coins. The voyageur silver dollar, the Bluenose dime, the caribou 25 cent piece and the 1939 silver dollar commemorating the Royal Visit of King George VI and Queen Elizabeth were all Hahn designs.
In 1934 the Department of Finance invited Emanuel Hahn to submit a design for a silver dollar commemorating the silver jubilee of the reign of King George V. Hahn corresponded with the Royal Mint in London and the Royal Canadian Mint to gain insight into the process of minting a coin before submitting a drawing depicting a voyageur and a First Nations man paddling a canoe. To ensure accuracy, Hahn studied the designs of traditional canoes and the paintings of Frances Anne Hopkins. Hahn’s design was approved with only a few minor changes and was used as the standard pattern for the Canadian silver dollar until the introduction of the ‘Loonie’ in 1987.
Following the success of the voyageur silver dollar, Hahn was among several artists invited to submit designs for new Canadian coinage to be released in conjunction with the accession of King George VI, in 1937. Hahn produced no less than 16 sketches. His caribou (proposed for both the nickel and the quarter) and his Bluenose were both selected for the new coins. All of the designs put into circulation in 1937 are still to be found on Canada’s circulating coinage today. Hahn left an impressive mark on Canadian currency and all Canadians can be proud to have a ‘Hahn original’ in their pockets.
Emanuel Hahn’s legacy of coins, drawings, plaster models and correspondence is preserved in the National Currency Collection of the Bank of Canada.
The Museum Blog
New Acquisitions
By: Paul S. Berry
Although never released for circulation, these two pieces were part of the first official initiative to mint coins in Canada.
150 Years Since Confederation
By: Graham Iddon
Canada’s cultural and regional diversity is a key part of our nation’s identity. However, it’s an enormous challenge to represent such concepts on a 7 by 15 centimetre piece of polymer.
Museum Reconstruction – Part 7
By: Graham Iddon
It’s a very flexible design and right now our graphics team is busy adapting it to a dozen different uses and formats.
Unpacking the Collection 5
By: David Bergeron
In the middle of the 19th century, a French lawyer and adventurer named d’Antoine de Tounens became fascinated by the Mapuche people of the Patagonia region of South America. At the time, they were struggling to protect their ancestral lands, their identity and their culture from colonial expansion by the governments of Chile and Argentina.
Museum Reconstruction - Part 6
By: Graham Iddon
So how’s the Bank of Canada Museum progressing? Everything seems to be ticking along just fine, thanks.
Unpacking the Collection 4
By: Paul S. Berry
Often referred to as “bookmark money” because of their narrow, vertical format, Japanese hansatsu were among the world’s most distinctive currencies.
Is That Blitzen on Our Quarter?
By: Graham Iddon
Well into my adulthood, I had assumed that the noble beast gracing the reverse side of our quarters was a moose. Clearly, I was not a terribly observant coin collector.
A Bank NOTE-able Woman III
By: Graham Iddon
Desmond truly exemplifies a Canadian who has overcome barriers, is inspirational to others, has made a positive change to society and in so doing, left a lasting legacy.
Why We are Not the Currency Museum
By: Graham Iddon
But a few years before it closed, the Currency Museum officially became an arm of the Communications Department. And this was the crucial factor that would change the future mission of the Museum.
A Field Trip to Montréal and the MTM Auction: 2
By: Paul S. Berry
Several parties were bidding on lot #14 until it reached $10,000, at which point the contest was only between me and the gentleman who had underbid the previous lot.